In this Photoshop tutorial I will show how I used Photoshop and a Wacom Tablet to create a digital illustration of a voluptuous Wonder Woman pin up. The tutorial reveals one of my digital painting techniques with a step by step walk through including images for each stage and layer settings. Enjoy!
Introduction:
Wonder Woman is an iconic figure in the comic book world. She is an amazon princess called “Diana” after a Greek goddess (Artemis). One of the most recognized characters in the pantheon (pardon the pun) of the DC Comics universe. Wonder Woman first appeared in the early 1940s and since then has been a favorite of millions of fans on comics, tv series (Linda Carter anyone?) and cartoons. I created this pieces as an homage to the character. I chose to paint her in a pin-up pose because I am also a big fan of the pin up genre and I loved the chance to portray Wonder Woman in a way that is seldom done.
Step 1 : Sketch

This is where your knowledge of anatomy and the human form come into play. The female body is especially hard to draw realistically, so for this sketch I shot some reference photos of a model. There is no shame in using reference, especially in the illustration field (where it is the norm). With the photos aside, I proceeded to draw the pose from scratch, paying attention to proportions, anatomy (you can see a hint of bone structure and muscles in my sketch). A good way to get good at drawing the female body is to draw from life and from photos as often as you can. Learn how each part correlates to the rest and what the proportions are in relation to arms, body, head, legs, etc. With practice it is possible to become very proficient.
Photoshop Technique: I created a new image. I left the background layer white. Added a new empty layer on top and renamed it “sketch”. I sketched the drawing on the “sketch” layer with a small brush with low opacity. To paint this sketch, I used Photoshop 7 and a Wacom Intuos tablet. My favorite tablet is the Wacom Intuos 3 6×8. See my tutorial on choosing the right graphic tablet.
Tip: While sketching, flip your drawing horizontally once in a while. It will help you find problem areas. Flipping your drawing might help you see where proportions are incorrect. Use Edit –> Transform –> Flip Horizontal.
Step 2: Line Art

The goal of this step is to obtain a pretty good line art drawing. You can’t move to the next stage unless the line art is done properly. It will save you time and headaches later. I referenced Wonder Woman’s costume from several images I found on the web, but kinda changed it a bit to make it fit my vision for it. In other words, I made sure that our heroine would appear sexier and …ehmm.. well “stacked” as to say ![]()
Photoshop Technique: I added a new empty layer above the “sketch” layer and named it “line art”. I set the opacity of the “sketch” layer to 15% to make it barely visible. I then drew the finalized line art on the “line art” layer with a small brush. Once the line art drawing was finished I turned off the sketch layer.
Tip: At this stage is very useful to zoom in closer, at least 200%.
Step 3: Flats

Flatting is a technique borrowed from the comic book industry. Each area is filled with the base color (skin, clothes, hair, etc.) to serve as a basis for the following coloring steps. Flats are essential when coloring comics especially and I like to use the same technique to paint digital illustrations. You will see later how having flats gives you great control over each part of the painting. Flats allow you to apply adjustments selectively to each part without touching the rest.
Photoshop Technique: I added a new layer under the line art layer and called it “skin”. I created a selection that covered the figure completely and filled it with a base skin color. Above this layer, I created another empty layer and called it “metal”. I proceeded to outline a selection of all the metal accessories on the body of Wonder Woman and filled it with a yellowish gold color. This will allow me to paint inside the metal parts only. I stacked this layer above the skin layer (hold the ALT key and click on the line between layers to do this). I did the same thing for the “clothes” layer. See the layer screen capture to see the layers at this point.

Tip: Instead of using the selection tool to define the flats area you can use the pen tool (press “P” on the keyboard). Lately, I have been using this method more and more often. It’s a bit slower but you end up with perfect shapes that very precisely follow the line art outlines.
Step 4: Chiaroscuro (light and dark)

This is where the fun beings and the true power of this techniques shines! Photoshop 7 (or 6?) introduced adjustment layers and fill layers. To paint the shadows in, I use another trick borrowed from my comic coloring arsenal. Instead of actually painting directly on the flats, I paint in the mask of a fill layer set on multiply. This is extremely versatile because you can add, modify, smooth and paint as much as you want on this layer. Areas where the layer opacity is visible darkens whatever is on the layers below (in this case: skin, clothes and metal elements). It is easier to understand this technique if you refer to the layer setup screen shot. It is at this stage that my Wonder Woman’s voluptuous female body started to become more tri-dimensional.
Photoshop Technique: I created a new Fill layer (called “dark”) above the flats layers, but below the line art layer. I also stacked this layer inside the base flats layer “skin” so that this layer content’s would show only inside the area of the flat layer below. I set the “dark” layer mode to Multiply. Using a medium opacity smooth brush I painted in the shadows. I switched between the brush tool and the smudge tool continuously until I got the result I was looking for.

Tip: While you paint in a fill layer or an adjustment layer you are only actually working on the layer mask. Using white and black you define the layer opacity. White pixels are visible, black pixels are transparent. While you paint on this layer using the brush tool, you can use the “X” key shortcut on the keyboard to switch between black and white so you can add or remove opacity as needed. Also use the smudge tool often (“R” key shortcut) to blend in your brush strokes. This is a technique borrowed from my traditional oil painting background.
Step 5: Finalizing the chiaroscuro (darker shadows)

At this point it’s all about volume and shapes. My sexy Wonder Woman’s body needed darker areas to further refine her shapely curves
Some areas needed highlights also.
Photoshop Technique: I created another Fill layer (called “darker”) above the original “dark” layer. I also stacked this layer inside the base “skin” flats layer. Again, the “darker” blending mode is set to Multiply. Here I painted additional shadows where needed. Using another layer for darker shadows gives me extra control. At this stage I also added 2 adjustment layers to enhance the figure’s contrast and saturation. First, I created a new Curves adjustment layer above the shadows layers and changed the curve profile so to add more red tones to the highlights and more blue in the darker areas. This simple step usually helps achieve a natural flesh tone look. I also added a Color Balance adjustment layer and did some additional tweaking. Finally, I added some incidental light highlights on the left side of the figure. To do this I added a new empty layer below the line art layer and painted a light blue halo near the edge using a smooth brush.

Tip: Adding incidental light usually helps enhance the tri-dimensionality of a figure considerably.
Step 6: Details

The final step is where the details and final adjustments are made. This is where I finalized her face, the metal elements and the whip.
Photoshop Technique: First, I linked all the layers (from the skin layer to the line art layer) and merged them together into a single layer. I duplicated this layer and then zoomed in to paint details using a medium opacity pressure sensitive brush with smooth edges. While painting, once again, I switched to the smudge tool to blend in brush strokes. To enhance the highlights I used the Dodge tool in small areas where a bright spot was needed. Use the dodge tool sparingly though.
Tip: It is sometimes useful to keep copies of earlier stages of a layer you are painting on, just in case you feel like the painting took a wrong turn and you want to go back to a previous stage.
Final Wonder Woman Pin Up:
Check out the final version of this image in my gallery where you can see her with a background.
If you liked this tutorial you might enjoy this link: Wonder Woman stuff



60 Comments »
By Eli — 29 Jun 2007 @ 11:59 am
Nice quality - good job!
By roberto — 29 Jun 2007 @ 12:08 pm
Eli!
Thanks for stopping by and leaving a comment. I checked your site and it looks very nice. A definite bookmark on my list.
Roberto
By badri — 29 Jun 2007 @ 5:55 pm
gooooooooooooooooooood!
By David — 29 Jun 2007 @ 11:55 pm
Wow thanks for the tutorial Roberto!
Your work is amazing.
By Eli — 30 Jun 2007 @ 5:49 am
No problem, I added your site to the newest post on my site, email me if you want to link exchange too.
By eman — 01 Jul 2007 @ 11:05 pm
wow! thanks for sharing! this will really help me improve my works (some are not posted in my DA account).
hope u can share more.again thanks!!
By Laggy — 03 Jul 2007 @ 7:40 pm
Great tutorial, but how did you do the highlights? You explained about using black and white of the layer mask but the lights you can get it is the base skin colour underneath…
By roberto — 05 Jul 2007 @ 2:39 pm
David: Thank you!
eman: That’s why I wrote it in the first place. So glad it helped.
Laggy: The highlights are areas where I did not apply any shadows. Also, I set the curves adjustment layer to bring out the highlights.
eli: Thanks so much for adding me to your list of Photoshop resources! I’ll link to your site in an upcoming post about cool Photoshop tutorial sites.
By Kane — 08 Jul 2007 @ 3:50 pm
If only I could do that
By Stoic — 13 Jul 2007 @ 11:41 am
Love the comprehensive tutorial, but I love the artwork even more. The shading is especially awesome and detailed!
ps: May I know what brush settings do you use?
By dopepope — 13 Jul 2007 @ 2:48 pm
Wonderful and quite precise tutorial. I’ve read a lot of these and they usually seem too vague. You pointing out the layer hierarchy is exactly what I’ve been wanting to know all along. Your work is stunning. Glad to have found your blog. I’ll be watching it.
By IhateDesign — 13 Jul 2007 @ 7:14 pm
good!! i love wonder woman!
By roberto — 13 Jul 2007 @ 7:28 pm
Kane: I used to tell myself the same thing some time ago
Thanks for stopping by.
Stoic: Thanks! For most of the painting process on this piece, I used a smooth round brush with 50% opacity. The brush opacity linked with the pen pressure. I varied the brush size when needed using the [ and ] shortcuts on the keyboard.
dopepope: Thanks for the kind words on my tutorial. I’ll be sure to make more for nice visitors like you

ihatedesign: Yes! She’s a hottie
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By Allison — 14 Jul 2007 @ 10:11 pm
How helpful! I always wondered where to put incidental light. I like the basic block in by itself too, I think it’s interesting how a different artist might from there imagine the musculature differently. For me the clavicle and the knees are too developed, but I guess it’s more erotic that way
By winnia — 15 Jul 2007 @ 5:11 am
Woot! Thanks so much for taking the time to put together a tute with such detail and sharing it with us!
By Ceasar — 18 Jul 2007 @ 7:02 pm
Wow thats awesome work definitely got to try this.
By kyubisharingan — 23 Jul 2007 @ 2:05 pm
wow, thanks man! very helpful! i have a question, its on the female anatomy. its kinda hard to eplain but, are the thighs the same sized as the rest of the leg or is it shorter? like…from the crotch to the knee, and from the knee to the foot…is it the same length?
By pp — 30 Jul 2007 @ 5:06 pm
Bueno tu trabajo, muy amable al espicar paso a paso, pero me parece muy complicada la tecnica que usas, se puede conseguir el mismo acabado usando simples capas, pero bueno es solo una opinion, Suerte
By Thammasak Aueragsakul dhamma — 05 Aug 2007 @ 9:02 am
Amazing and very nice work.
By dio — 24 Aug 2007 @ 5:50 pm
coolest than anything else i have seen//…how can i download the full tutorial?
By Bijoy — 11 Sep 2007 @ 12:23 pm
Roberto! Simply fantastic. My jaws dropped. Thanks.
By tahir — 21 Sep 2007 @ 6:18 am
very nice work
By Jon Bravo — 25 Sep 2007 @ 3:28 pm
WOW. You have improved my coloring technique ten fold. Thank you so much for taking the time out to do this. I will never color the same again.
By Pedro — 09 Oct 2007 @ 4:13 pm
Hi Roberto,
I’m kind of new in this kind of colouring stuff but i like it verry much. So i tried it myself
But i have a problem and i wanted to know if i did something wrong.
For the ‘Flats’, for example clothes, i made a new layer and filled the parts with a colour ( with a brush ),
but after i do the ALT clicking thing to stack these layers above the skin layers, i can’t see the colours anymore. I only see my skin colour. So maybe i did the colouring all wrong or so. don’t know
Maybe you can help me
thanx
By Cleida — 10 Oct 2007 @ 11:47 am
I think if I could choose to be a super hero I would choose wonder woman because she is super.
PS thank, JOB WELL DONE
By uma kant rai — 21 Oct 2007 @ 5:55 pm
Great tutorial,
You explained about using black and white of the layer mask but the lights you can get it is the base skin colour underneath…
Amazing…
it’s one of the best tutorial of photoshop.
Pingback By La vecinita II « Titus Magnificus — 21 Oct 2007 @ 6:04 pm
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By Page — 22 Oct 2007 @ 1:27 am
Hi!
I’m new to all this digital artwork and the wacom tablet and your tutorials have helped a ton! Thank you so much for taking the time to put them out here. Your work is super fantastic!
By Bryan — 13 Nov 2007 @ 8:47 am
great job!
I enjoyed your tutorial. Now I’m planning to buy a tablet myself.:D
Thanks a lot!
By jay — 14 Nov 2007 @ 8:57 am
OMG! now I know what to do! Tnx alot man! BIG HELP!
By Stephen Davidson — 16 Nov 2007 @ 3:16 am
how do you draw a woman’s proportions?
By Ryoko — 23 Nov 2007 @ 5:13 pm
God, a pretty good tutorial i must say
this was a real help to me… i’ll use it for my next works (yeah i color like crap)
By haersk — 26 Nov 2007 @ 1:01 pm
Thank you for a great tut!
By jacalyn — 12 Dec 2007 @ 12:52 am
wow this looks great i admire the details good job and keep up the artistic abilties
^_^
By Roly Arevalo — 28 Dec 2007 @ 6:19 pm
exelente trabajo maestro……puede explicarlo en espanol? o usted conoce algun link con tutoriales en castellano? me refiero a Painter…gracias
By Rahul — 02 Jan 2008 @ 7:36 am
This is amazing and too easy to learn.
By EDD — 03 Jan 2008 @ 4:22 am
can i do this with the mouse, or do i need the wacom?
By ankit sharma — 04 Jan 2008 @ 3:49 pm
a nice tutorial,high end detailing cooooooooooooooooooolllllllllllllll
By Shifa AL-bar — 12 Jan 2008 @ 9:51 pm
wow..
well done..!!
i’ve been looking for a tutorial that help me to illustrate better..n i think i’ve found it..:))
nice details,,,nice tutorial,,very helpful,,n nice looking woman..hmm wish i had a body like that
By Agent Orange — 15 Jan 2008 @ 4:09 am
Wow, great job, and an excellent choice of subject matter (Wonder Woman).
By smok787 — 27 Jan 2008 @ 6:49 am
Wow!
This is splendid.
I cannot speak English but I want to say that your ability is uncanny.
Please become happy.
By alex — 04 Feb 2008 @ 10:32 am
Hi. I was wondering if you could help me a little. I followed all of the steps with ease except the incidental lighting. I don’t know why, but when I paint the blue areas it covers the female figure outline. I could always decrease brush size and do detailed strokes, but you mentioned just painting near the figure? Perhaps you’re painting beside the figure and using a glow affect? not sure.
thanks!
- alex
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By Derek — 29 Apr 2008 @ 2:45 pm
Heya, first let me say great tutorial, Im not really good with adobe and am learning with this tute.
Im on step 4. when u create the layer ‘dark’ theres 2 icons with a link between them. im stuck there. like do u select something with the Pen tool? how do u get to the black and white shadows where ur modifying the mask? using cs3.
side note: my wacom tablet seems to work fine in painter, but adobe does not pick up the sensetivity, any ideas?
By Derek — 30 Apr 2008 @ 1:59 pm
ok, after much headache, i got it. i forgot to fill the ‘dark’ layer.
By satheesh — 08 May 2008 @ 5:28 pm
thanks a lot! this realy helped me
By satheesh — 08 May 2008 @ 5:29 pm
THANKS A LOT! ive been searching for this tute ,finaly found it ,realy helped me!
By satheesh — 08 May 2008 @ 7:59 pm
damnit cant i didnt get the light & darkning
the stacking part plz help!
By gabriella — 17 May 2008 @ 5:14 pm
hi roberto,
i’m writing to you to ask if is possible use your wonder woman like my avatar in a forum. please contact me.
tanks
PS: very good job!!
By william — 30 May 2008 @ 6:25 pm
love your work! not only are you very talented but very inspirational as well! thank you!
questions…
1- in some of the steps you say to use a small brush at a low opacity…i use a wacom tablet and was wondering if it would be the same to set the opacity and flow to 100% and just control the opacity with amount of pressure i use as i am painting
2- where are you getting your colors? and once you choose your colors how are you going about picking colors a little darker and lighter? just picking them by feel? im asking because another tutorial im playing around with out of photoshop magazine is saying to lay the flats out and then dodge and burn the shadows and darks….but i like your finished piece alot better then theirs…
by the way…thank you very much for taking time out to offer advice and help to us all!!!
By Jani — 03 Jun 2008 @ 2:17 am
Hi Roberto,
thank you for your tutorial. I’m trying to learn to use the digital tools for my art, and you have been a great help in learning despite the fact, that I’m poor to read any instructions. My favourite learning method is try and fail
By orlee — 12 Jun 2008 @ 7:03 am
very useful tutorial, i’ve tried all your tutorials already, please post some more… i am hungry.
By snehal patel — 13 Jun 2008 @ 7:41 am
very very good job! your tutorial will help me. thanks a lot. its good please give me advise if required in future.
By Rohit — 14 Jun 2008 @ 4:53 am
Brilliant Work done with reative mind
By Tony — 24 Jun 2008 @ 7:27 pm
Hi Roberto,
Awesome! I have one question though. For your ‘dark’ and ‘darker’ fill layers…you use a darker skin color. Does that mean that even when shadowing parts of the figure such as the armour and shoes which arent skin colored, the shadow will have a skin colored tinge to it??
By maria guadalupe de la cruz ibarra rosales pena hernandez — 20 Oct 2008 @ 6:34 pm
this is pretty awesome!
By ononwae — 25 Oct 2008 @ 5:43 am
definitly gonna try it….
By ononwae — 25 Oct 2008 @ 5:44 am
thanks for the tutorial
By Emily — 28 Oct 2008 @ 2:23 am
Your art is fantastic, so fantastic that I’m using this tutorial as an analogy in my Critical Thinking class. It’s not going to be shown other than to my classmates, but I thought I would let you know just in case.
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